In one of Warhol’s funniest films, a playwright taunts a group of actors into improvising a ridiculous yet politically meaningful meditation on Fidel Castro and his family. The cast sit in chairs as if grouped for a family portrait, repeating lines fed them from the back row. One of the first Warhol films to use sound and erratic camera movements, it was scripted by avant garde writer Ronald Tavel and stars Marie Menken and Elektrah. (1965, 70 min, 16mm)
Yerba Buena Center for the Arts is grateful to the City of San Francisco for its ongoing support.
YBCA Programs in 16-17 are made possible in part by: The James Irvine Foundation
Additional Funding for YBCA Programs 16-17: National Endowment for the Arts, Adobe, Abundance Foundation, Gaia Fund, Grosvenor, and Members of Yerba Buena Center for the Arts.
Additional Funding for YBCA Performances 16-17: Surdna Foundation, Salesforce.com, and Zellerbach Family Foundation.