Gina Osterloh’s new film project, Anonymous Front, is a visual essay on physical blindness and identity, created in collaboration with a vocational massage therapy school for the blind in the Philippines.
Super 8 is a collection of video art in multi-channel formats, selected by a peer-to-peer curatorial process. Eight artists from eight cities across the globe were invited to present their videos, and invited four other artists from their respective cities to join them.
At the point where long-held beliefs fall into decline and once-esteemed notions crumble, questions arise about those belief systems. It is at this point that John-Mark Ikeda begins his exploration of the current economic climate. Ikeda deconstructs the iconic business suit — which he equates with the failed economy — stripping it down to its component parts and pinning it to the wall like a specimen, with accompanying business accessories, in an attempt to reconstitute it as a symbol of power.
Mark Bradford transforms found material – much of it paper from sources such as billboards and newspapers – into large-scale collages and installations. Included in YBCA’s presentation is the large-scale work Detail, an ark-like sculpture reconstructed from components of Mithra, a piece created in response to the devastation caused by Hurricane Katrina. Also on view at YBCA will be Bradford’s socially charged 2011 work, Rat Catcher of Hamelin, which is composed of components of 50 billboards collected from all around South-Central Los Angeles. This comprehensive survey of Bradford’s career to date is co-presented by YBCA and SFMOMA and will be on view at both venues. Please note that there are separate admission policies for each institution.
The rock band on the stage, the athlete on the soccer field, the politician at the podium — all command the attention of huge crowds, not to mention cameras. Audience as Subject, Part 2: Extra Large turns the lens back on the audience, exposing the dramatic and narrative potential of the crowd itself.
FREE w/ gallery admission; FREE for YBCA and SFMOMA members
TBD
Mark Bradford, in conversation with writers Ernest Hardy and Sue Bell Yank, will discuss the conceptual framework behind Mithra and how it relates to the examination of cultural regeneration within a post-disaster urban environment. Given the controversy surrounding Prospect.1 New Orleans, the guest speakers will have the opportunity to re-examine the cultural ramifications of the first US biennial in relation to the host city, as well as elaborate on Mithra’s contribution within that given context.
Feb 18, 2012 – May 27, 2012Gallery 2Visual Arts
Mar 31, 2012 2:00pm
