Press

Press Releases and Images

To get the latest news about events, presentations and happenings at Yerba Buena Center for the Arts (YBCA), download any of the current press releases below (in PDF format). The below images are for the exclusive use of members of the press, and only for the publicity of Yerba Buena Center for the Arts exhibitions and events. The images may not be cropped or distorted in any way, and must be accompanied by the corresponding credit line and copyright information as it appears below. YBCA grants permission to use images only to the extent of its ownership rights relating to those images—the party reproducing the images is responsible for obtaining permission for any additional use/reproduction.

If you are interested in learning more about YBCA's programs, contact:
Maureen Dixon, Communications Manager | Phone: 415.321.1307 | Email

Marc Bamuthi Joseph

PRESS RELEASE

Marc Bamuthi Joseph Joins YBCA as Director of Performing Arts

IMAGES

Marc Bamuthi Joseph — credit: courtesy of YBCA

Marc Bamuthi Joseph — credit: Bethanie Hines Photography

Link Directory

Visual Arts: • Gina Osterloh, Anonymous Front; • John-Mark Ikeda, What Suits Us; • Audience as Subject, Part 2: Extra Large

Performing Arts: • Mariano Pensotti, El Pasado es un animal grotesco; • Eiko & Koma, Retrospective Project

Film & Video: • Bros Before Hos

2011-2012 Season

PRESS RELEASE

Yerba Buena Center for the Arts Presents the 2011-2012 season

Gina Osterloh

Jan 21–Apr 7, 2012

PRESS RELEASE

Yerba Buena Center for the Arts present Gina Osterloh's Anonymous Front

IMAGES

Gina Osterloh, Impossible Delineation, 11x14 Lambda Photograph, 2008 — credit: courtesy the artist

Gina Osterloh, untitled, Turquoise Room No. 1, 48x60, 2007 — credit: courtesy the artist

Gina Osterloh, Anonymous Front — credit: courtesy the artist

John-Mark Ikeda

Jan 26–Jul 8, 2012

IMAGES

John-Mark Ikeda, What Suits Us — credit: courtesy the artist

Mariano Pensotti

Feb 16–18, 2012

PRESS RELEASE

Yerba Buena Center for the Arts present Mariano Pensotti’s El pasado es un animal grotesco

IMAGES

El pasado es un animal grotesco, By Mariano Pensotti — credit: Almudena Crespo

El pasado es un animal grotesco, By Mariano Pensotti — credit: Mariano Pensotti

Bros Before Hos

Feb 4–26, 2012

IMAGES

The Killing of a Chinese Bookie, by John Cassavetes — credit: courtesy Jurner Productions, Inc.

Fish, by Zackary Drucker (from the program “Female Trouble”) — credit: courtesy Dirty Looks

The Docks, An Athletic Model Guild film (From the program “The Golden Age of the American Male”) — credit: courtesy AMG

Mario Montez Screen Test, by Conrad Ventur (From the program “Female Trouble”) — credit: courtesy Dirty Looks

Meat Rack, by Michael Thomas — credit: courtesy Michael Thomas

Sex in the Shadows — credit: courtesy Albert Steg

Steam of Life, by Joonas Berghall and Mika Hotakainen — credit: courtesy Films Transit

Strongman, by Zachary Levy — credit: courtesy of the director

Audience as Subject, Part 2: Extra Large

Feb 18–May 27, 2012

PRESS RELEASE

Yerba Buena Center for the Arts presents Audience as Subject, Part 2: Extra Large

IMAGES

Alexey Kallima, Rain Theorem, 2009, painted canvas, sound, ultraviolet light, light sensor ‐ credit: Courtesy of Guelman Gallery and the Multimedia Art Museum

Andrea Bowers, "Study from May Day March, Los Angeles 2010 (Stop Ripping Families Apart)", 2010, Graphite on paper, 11 1/2" x 14 1/2" ‐ credit: Courtesy of Susanne Vielmetter Los Angeles Projects; Photo credit Robert Wedemeyer, Collection of The Hammer Museum, Los Angeles

Gursky, Andreas, Tote Hosen, 2000, C-print mounted on Plexiglas in artist's frame, 82 x 200 inches, The Broad Art Foundation, Santa Monica © 2012 Andreas Gursky / Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn ‐ credit: Courtesy of Monika Sprüth / Philomene Magers, Cologne/Munich

Elaine Constantine, Mosh (Series), 1997, Photograph ‐ credit: Courtesy of Santucci & Co

Paul Pfeiffer, Four Horsemen of the Apocalypse (25), 2006, Fugiflex digital c-print, Edition 1 of 6, 2 APs ‐ Courtesy of the artist and Paula Cooper Gallery, New York